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The Strawberry Hill Trust

Technical Support

Found in the Long Gallery, probably left over from the Great Sale of 1842.
The writing above the door in the Long Gallery left by craftsmen on the 16th of January 1857 reveals that the: "weather {was} very cold and fires were not allowed".

During recent paint sampling, Catherine Hassall discovered this large grey fragment of one of Walpole’s original schemes for the staircase. She has taken a tiny fragment of this, as well as one from the piece of paper which was usually shown in the entrance hall, for analysis so that both can be properly dated.

 

The removal of the wall covering in the Yellow Bedchamber reveals the 'ghosts' of the pinnacles seen in eighteenth-century engravings.

In referring to the Great Tower, many of you will think of the Round Tower, which is the principal form of the villa's western elevation, but this only came into being from 1759 onwards. The place of which Walpole writes, which was so important to the early villa as a castle-like house, are the series of rooms placed in the south east corner of the house - from bottom to top: the China Room, Green Closet and Plaid Bedchamber.

During the twentieth century, these rooms had largely disappeared, certainly from the public tour route, as the spaces had been swallowed-up to form a series of bathrooms all to make the house convenient for the modern-living Lord Michelham and the comfort of the Vincentian Fathers.

The rooms are relatively modest, but their castle-like quality lies in their being concealed spaces; they are rooms within rooms as they do not relate to the main stairs. The sense of being in an exotic interior is created by the shaped, dual aspect windows.